AFRIKANSKIJ MODERNIZM (PROBLEMY AUTENTICHNOSTI, IDENTICHNOSTI, EKSKLYUZIVNOSTI)

Gavristova, Tatiana M.

English

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AFRIKANSKIJ MODERNIZM (PROBLEMY AUTENTICHNOSTI, IDENTICHNOSTI, EKSKLYUZIVNOSTI)

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AFRIKANSKIJ MODERNIZM (PROBLEMY AUTENTICHNOSTI, IDENTICHNOSTI, EKSKLYUZIVNOSTI)

Annotation

PII

S086919080000617-5-1

Publication type

Article

Status

Published

Authors

Tatiana M. Gavristova Send message

Edition

Issue 5

Pages

74-84

Abstract

The article concerns the history of formation and development of one of the most engaged directions of the modern fi ne arts - the African modernism. Its creation has been closely connected with the names of outstanding artists. Uche Okeke (Nigeria), Ibrahim al Salakhi (Sudan), El Anatsui (Ghana) are among them. Within the African modernism there was a merge of traditions of the people of the continent and modern forms and genres, and also symbols, images, signs of visual, verbal and contextual culture.

Keywords

afrikanskij modernizm, uli, ulizm, znak, identichnost'

Date of publication

01.09.2012

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847

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GOST	Gavristova T. AFRIKANSKIJ MODERNIZM (PROBLEMY AUTENTICHNOSTI, IDENTICHNOSTI, EKSKLYUZIVNOSTI) // Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost. – 2012. – Issue 5 C. 74-84 .
MLA	Gavristova, Tatiana M "AFRIKANSKIJ MODERNIZM (PROBLEMY AUTENTICHNOSTI, IDENTICHNOSTI, EKSKLYUZIVNOSTI)." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost. 5 (2012).:74-84.
APA	Gavristova T. (2012). AFRIKANSKIJ MODERNIZM (PROBLEMY AUTENTICHNOSTI, IDENTICHNOSTI, EKSKLYUZIVNOSTI). Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost. no. 5, pp.74-84


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References

Additional sources and materials

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