CHINESE CARCASS PRINT TRADITION (TA)
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CHINESE CARCASS PRINT TRADITION (TA)
Annotation
PII
S086919080000616-4-1
Publication type
Article
Status
Published
Edition
Pages
53-68
Abstract
The history of ink rubbings goes back for fifteen hundred years. during which they were an important factor in the development of the Chinese art. The article describes the traditional technology of rubbings making, characterizes the main types of rubbings, elucidates criteria for the assessment of their quality, and relates the methods of rubbings assembly. The author examines the role of rubbings in maintaining the continuity of artistic experience in the Chinese calligraphy, painting and applied arts; explains the technical and esthetic differences between rubbings from copy-books (tie) and rubbings from stelas (bei) with which the main stylistic directions in the calligraphy of the eighteenth - nineteenth centuries were connected; analyses the national peculiarities of the culture of rubbings perception as well as the status of rubbings authenticity (zhen).
Keywords
carcass print ta, zongshua brushes, tabao tampons, water shuita prints, fenth powder prints, ujin ta prints, chang ta prints, quanxing taben composite prints, te prints, bei steles, zhen reliability
Date of publication
01.01.2015
Number of purchasers
1
Views
885
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0.0 (0 votes)
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