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Fictional romance philology code of Canan Tan
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Fictional romance philology code of Canan Tan
Annotation
PII
S086919080000029-8-1
DOI
10.7868/s0869190818020103
Publication type
Article
Status
Published
Authors
Maria Repenkova 
ORCID: 0000-0002-7551-3869
Affiliation: Lomonosov Moscow State University
Address: Russian Federation, Moscow
Edition
Issue 2
Pages
113-121
Abstract
Serious structural changes took place in the Turkish literature during the last fifty years. By 1980s, realistic literature (“social realism”, social-psychological and subjective-psychological proses) demonstrated signs of code wearing and actually came to naught. Its place was immediately occupied by aggressive competitors–post-modernism and mass philology. These literary styles subverted literature into the darkness of the collective unconscious (post-modernism) and into the heap of commodity money (mass reading-matter). However, the post-modernist “mainstream” began running low by 2010. Only mass literature and becoming stronger so called “middle-literature”/fiction remain steadfast. The article investigates the romanticism fiction paradigm (fiction code) of Canan Tan (born in 1951), the most famous Turkish fiction writer. Her novel “Distress” (2013) shows that the fiction code is revealing in the author’s clear position, in the repeating characters’ types, in fixing details of everyday life (poetics of daily occurrence), in the arranging “eternal” problems, as well as in stylistic layers polyphony (magic tale, sentimental and historical novels, and so on). Certain formulations and stylistic uncertainty of the text do not prevent narrative layer to provide exactness of characters’ psychological motivation and subject dynamics.
Keywords
Turkish fiction, Canan Tan, novel “Distress”, signs of the fiction code, historical component of the novel
Received
26.01.2018
Date of publication
29.04.2018
Number of purchasers
14
Views
2059
Readers community rating
0.0 (0 votes)
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References



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